Myron was an ancient Greek sculptor who lived in the 5th century BCE. He was born in Eleutherae, a small town in Boeotia, and was considered one of the greatest sculptors of his time.
Myron is best known for his sculptures of athletes, which were characterized by their realism and naturalism. He was one of the first artists to depict the human body in motion, capturing the tense muscles and fluid movements of runners, wrestlers, and other athletes. His sculptures were so lifelike that they were often mistaken for real people.
One of Myron's most famous works is the "Discus Thrower," also known as the "Discobolus." This sculpture depicts a young athlete about to throw a discus, and it is considered one of the greatest examples of classical Greek art. The sculpture is famous for its balance and tension, as the athlete's body is perfectly poised to throw the discus. The "Discus Thrower" has been reproduced countless times and has become a symbol of athletic prowess and strength.
Myron was also known for his sculptures of animals, particularly his depictions of bulls. His "Bronze Bull" was a sculpture of a charging bull, and it was so realistic that it was said to have frightened people who saw it.
In addition to his sculptures, Myron was also a skilled painter and worked in other mediums such as bronze and marble. He was a member of the school of the Crotoniates, a group of artists who were known for their realism and naturalism.
Myron's work had a lasting impact on the art of ancient Greece and beyond. His sculptures were highly prized and were often copied by later artists. His naturalistic style influenced the development of classical Greek art and laid the foundation for the realism of later art movements such as the Renaissance.
In conclusion, Myron was a highly skilled and influential sculptor who made significant contributions to the art of ancient Greece. His sculptures of athletes and animals are still admired today for their realism and naturalism, and his work continues to inspire artists and art enthusiasts around the world.
5.12: Myron, Discus Thrower
Some seem to reproduce their originals with considerable exactness; others are obviously far inferior to them. Credit: AMNA The Holy Myrrh, or Holy Myron, the oil with the highest level of sanctification in the Christian Church, was prepared during the Holy Week at the Ecumenical Patriarchate in Istanbul to be distributed throughout the Orthodox world. The only diminutives you can maybe find are Mirkos and Miros but they are uncommon. The work was widely admired for capturing the instability of an instant motion and combining it with a composition of balance and harmony. Sculpting in bronze, he was noted for his animals of which no examples have survived and for his athletes in action. Beside this excellence of artistic composition, the clever choice of the right moment for representation and of an athletic exercise in which such a moment occurs must also be allowed their merit.
The potential energy expressed in this sculpture's tightly wound pose, expressing the moment of stasis just before the release, is an example of the advancement of Classical sculpture from Discobolus in the National Roman Museum in Palazzo Massimo alle Terme. It was not a very popular name for many decades but towards the end of the 80s, when naming children with ancient Greek names became popular again in Greece, Miron also became more common in male boys, mostly in urban centers. Myron is often credited with being the first sculptor to master this style. Myron was born at Eleutherai on the Attic side of Mt. In 1937, This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3. He also fashioned vessels in metal, following a pattern of involvement in the minor arts common to sculptors in the 5th and 4th centuries B.
Quintilian himself declares that to find fault with the Discobolus argues a lack of appreciation of art. His chief material was bronze, and colossal figures of gold and ivory are also ascribed to him. GREATEST GREEK STATUE For analysis of an important work of Hellenism, see: Myron active 480-440 BCE Myron was one of the Greek sculpture. His works are known through descriptions by ancient writers, such as Pliny and Pausanias, and two of them by copies, the Discobolus Gr. The abundance of the elements that make up the world symbolizes the diversity of Christian virtues. Miron or Myron is a male Greek name, commonly found in the ancient years. These indications, such as they are, point to the "Transitional period.
The Discobolus Palombara, the first copy of this famous sculpture to have been discovered, was found in 1781. Had Myron been born a century earlier, he could no more have produced these works than if he had lived at the present day. It was from the models in the palaestra and the stadium that the sculptors of Greece drew their inspiration. His statues are said to have been scattered in sanctuaries throughout the Greek world, from Sicily to Ionia, with a concentration on the Athenian Acropolis. This is evidently the meaning of the story, though it is misinterpreted by some later authorities in accordance with the eclectic spirit of their own age. West, The Journal of Hellenic Studies Vol. All are marred by the supporting tree-stump, though this was differently treated by different copyists.
Here again the social surroundings of the Greek artist gave him an immense advantage over all others. One fragmentary copy was completely misunderstood by the sculptor to whom it was handed over and restored as a fleeing Niobid! He has taken a moment of action so transitory that students of athletics still debate if it is feasible, and he has given it the completeness of a cameo. He has taken a moment of action so transitory that students of athletics still debate if it is feasible, and he has given it the completeness of a rhythmos, harmony and balance. So far as we know, he did not work in marble at all. Discus Thrower Discobolus Roman copy of an original by Myron 425 BCE.
In the later days of antiquity, especially after the Roman conquest of Greece, there was evidently an enormous demand for reproductions of the famous works of Greek sculpture, and numerous artists devoted themselves to supplying this demand. Kithairon, probably before 500 B. Agios Myron is at an altitude of 438 meters. It is true that the same opportunities for varied observation did not exist in the case of the nude female figure. The temperature today is expected to range between 10° and 12°. We do not know his father's name; his teacher is said by Pliny the Elder to have been Hageladas, the principal caster of monumental bronze statues at Argos about 500. This rotation could well have been a deliberate handicap to make the sport more difficult.
The ruler of Achaia Prefecture, Antipater, visited Miron one day, asking him to stop helping the poor and needy people and to stop preaching the word of God. Myron was a Greek sculptor. His pose is said to be unnatural to a human, and today considered a rather inefficient way to throw the discus. No information or copies remain, so we have no idea as to the animal's pose, but we do know that it stood in the marketplace in Athens. It is true that in any comprehensive study the two must be blended, must supplement and confirm each other. For a discussion of the ancient sources on Myron see Jerome J. A marble copy found in Rome demonstrates the way a sculptor may at the same time hold to conventions and reach out toward new forms.
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Locations near Agios Myron include the Ancient city of On our Agios Myron page you can see Agios Myron Photos, explore Agios Myron's Map and nearby Destinations, find Agios Myron Hotels and check Agios Myron's Weather by following the links below and to the left. The Diskobolos is widely admired for its particular resolution of the exertion and instability of an instant of motion into a composition of unified balance and harmony. Ridgway, The Severe Style in Greek Sculpture 1970. Except for a precise, but certainly false, notice in Pliny, who represents him as flourishing in 420-416, our literary sources yield only vague indications as to his date. It is questionable whether the athletes whom he represents were very expressive of countenance, and it is altogether certain that their faces were not the subject of chief attention. Today's sunrise was at 07:28 and the sunset is at 17:16.
No copies of this statue have been identified. The Discobolus of Myron "discus thrower", Greek: Δισκοβόλος, Diskobólos is a Greek sculpture completed at the start of the Classical Period, figuring a youthful ancient Greek athlete throwing discus, about 460—450BC. Ecumenical Patriarch Bartholomew inspects the preparation of Holy Myrrh, a process that takes place every ten years. If it were not for the formal locks of hair, the rather expressionless face, and some ancient evidence, which fixes the career of Myron in the first half of the fifth century, the statue might well be regarded as a work of the great age of Greek sculpture. Naturally, as always in Greek athletics, the Discobolus is completely nude. The original Greek bronze is lost but the work is known through numerous Roman copies, both full-scale ones in marble, which was cheaper than bronze, such as the first to be recovered, the Palombara Discobolus, and smaller scaled versions in bronze. In the Discobolus, the clear lines of demarcation are not inconsistent with a correct and skilful modeling of the surface.
Other masters of the same theme long betray the same tendency. A discus thrower depicted is about to release his throw: "by sheer intelligence", Kenneth Clark observed in The Nude, "Myron has created the enduring pattern of athletic energy. His early manhood must have coincided with the period of the Persian wars. Pollitt, The Art of Greece, 1400-31 B. The effect is perhaps somewhat dry, and suggests the appearance of a man in hard training, and even the tension of muscles that would not be exerted at the moment of action is portrayed. Myron was the earliest of the great masters of Greek sculpture. Therefore, there was no need for the eye of the competitor to be turned towards a distant goal, but the head could follow the motion of the arm that swung the quoit, the position of the feet sufficing to define the direction of the throw.
