"Facing It" by Yusef Komunyakaa is a powerful and emotional poem that reflects on the experience of visiting the Vietnam Veterans Memorial in Washington, D.C. The speaker of the poem is a veteran who has returned to the memorial, which is a wall with the names of all the soldiers who lost their lives in the Vietnam War. As the speaker stands in front of the wall, he is overwhelmed with memories and emotions.
One of the most striking aspects of "Facing It" is the way in which Komunyakaa uses imagery to convey the speaker's emotions. The speaker describes the wall as a "black mirror," which suggests that it reflects back the pain and suffering of the war. The wall is also described as a "gash," which suggests that it is a wound that has been inflicted upon the nation.
Another powerful aspect of the poem is the way in which it captures the speaker's sense of guilt and responsibility for the lives lost in the war. The speaker writes, "I go down the 58,022 names / Half-expecting to find / My own in letters like smoke." This line suggests that the speaker feels as though he is somehow responsible for the deaths of these soldiers, and that he is searching for his own name on the wall as a way of accepting his own guilt and responsibility.
Throughout the poem, the speaker struggles with the weight of these emotions and memories. He writes, "I touch the name / Andrew Johnson. / I see the booby trap's white flash." This line shows the speaker reliving the moment of Andrew Johnson's death, and the way in which the memory is still fresh and raw.
In the end, the speaker finds some measure of peace and acceptance by facing the wall and the memories it holds. He writes, "I go down / The names / Touch them: / Silky smooth names / That hooks left raw / Or the weathering that / The stone itself seems to wear." The act of touching the names on the wall seems to bring some measure of closure and healing for the speaker.
Overall, "Facing It" is a poignant and powerful reflection on the experience of war and loss. Through vivid imagery and raw emotion, Komunyakaa captures the complex and difficult process of coming to terms with the past.