Ee cummings o sweet spontaneous. Song IX and O sweet spontaneous by e. e. cummings 2022-10-24
Ee cummings o sweet spontaneous Rating:
ee cummings' poem "o sweet spontaneous" is a celebration of the natural world and the beauty of life. The poem begins with the line "o sweet spontaneous," which sets a tone of wonder and appreciation for the spontaneity of nature. The speaker in the poem is in awe of the "mud puddle" and the "grass" and the "baby's fat fist," all of which are simple, everyday occurrences that are often overlooked.
However, cummings encourages the reader to see the beauty in these seemingly mundane things. The "mud puddle," for example, is described as a "mirror," which suggests that it reflects something deeper and more meaningful. The "grass" is described as a "luxury," which elevates it beyond its ordinary status and suggests that it is something to be treasured. The "baby's fat fist" is described as a "sunburst," which gives it a sense of vitality and energy.
Through these descriptions, cummings invites the reader to look at the world with fresh eyes and to see the beauty in the ordinary. He encourages us to embrace the spontaneous and the unpredictable, to appreciate the small moments of wonder that are all around us.
In addition to celebrating the natural world, "o sweet spontaneous" also touches on the theme of childhood innocence. The reference to the "baby's fat fist" suggests a sense of innocence and purity, and the speaker in the poem seems to be looking back on these childhood moments with a sense of nostalgia. The poem may be seen as a tribute to the magic and wonder of childhood, and a reminder to hold onto that sense of awe and appreciation as we grow older.
Overall, "o sweet spontaneous" is a joyful and uplifting poem that encourages us to embrace the beauty of the natural world and to see the magic in the ordinary. It is a reminder to slow down and appreciate the small moments of wonder that are all around us.
[O sweet spontaneous] by E.E. Cummings
Seltzer, 1923, enlarged edition, Golden Eagle Press, 1937. We are bombarded with a million questions about existence and we want every one of them answered, yet if we look around us and simply enjoy the magic of what has been put there we would see that nature answers our questions. . Dupee and George Stade, Harcourt, 1969. Such activities led in September of 1917 to their being held on suspicion of treason and sent to an internment camp in Normandy for questioning. The same can be said about the interesting line breaks.
We can decode information, express ideas, and understand concepts because of difference and likeness. Edward Estlin Cummings was born in Cambridge, Massachusetts, on October 14, 1894. . The knowledge one understands and believes, that is. Further, spacing of key words allows puns which would otherwise be impossible. In 1917, Cummings published a Edward Estlin Cummings was born in Cambridge, Massachusetts, on October 14, 1894.
Cummings and Brown were housed in a large, one-room holding area along with other suspicious foreigners. . He attended the Cambridge Latin High School, where he studied Latin and Greek. A common theme with Cummings is that life goes on, and this poem is another example of that. The extra spaces may be there to indicate that it can be seen as part of the old stanza and a new stanza all together, depending on how you wish to think about the writing. To be religious in the Christian sense is to live a life full of self-sacrifice and worship, andif self-sacrifice and worship are a way of life, they are your philosophy.
Cummings, University of Minnesota Press, 1969. He compares the philosopher's study of the earth and its natural and supernatural phenomena to a doctor examining a patient, or a layman examining a piece of fruit. His studies there introduced him to the poetry of avant-garde writers, such as Gertrude Stein and Ezra Pound. This poem, though on the surface looks quite harmless, is subject to the complexities associated with its textual composition. More examples from other text, more ideology, thicker deconstruction, and longer prose But, until I have more time, enjoy a quick deconstruction of ee Cummings poem, O Sweet Spontaneous. That is a complex matter; irregular spacing.
This crude answer by the narrator limits our understanding of the metaphysical, of the Earth, and of our existence. Cummings: A Miscellany, Argophile Press, 1958, revised edition edited by George Firmage, October Press, 1965. In 1917, Cummings published an early selection of poems in the anthology Eight Harvard Poets. He also traveled throughout Europe, meeting poets and artists, including Pablo Picasso, whose work he particularly admired. This poem is a very critical examination of the human intellect, the metaphysical prowess of religious leaders, and a deconstruction of form itself. In July 1918, Cummings was drafted into the U. March 17, 2010 This following blog post is result of my busy schedule.
O sweet spontaneous by E.E. Cummings Analysis & Poem
It is impossible to separate the study of the earth into three groups because they are all one in the same, yet distinctly different. . Squeezing the earth so hard, in fact, that it thou mights't conceive gods. There was always something they were trying to get out of their investigations. All these devices have the effect of jarring the reader, of forcing him to examine experience with fresh eyes. He was a brilliant 20-year-old, but he remained merely precocious to the end of his life.
We pry, force, and ponder the workings of complexities we cannot comprehend, yet the Earth in all of its simplicity answers these questions with a rather elemetary concept: that the earth has cyclical seasons, though not consistent, and not at all permanent; and that everything dies, everything that was once animate will become stationary. A typical Cummings poem is spare and precise, employing a few key words eccentrically placed on the page. What Cummings did with such subjects, according to Stephen E. Questions like these show the flaws within the poem, that there are not simple answers, and if these questions are answered so simply, and worse, accepted by a majority, then the work of millions for so long a period is abandoned. This is comparable to metaphysical questions, though scientific in nature we are still learning.
If accepted, your analysis will be added to this page of American Poems. He depicted his internment camp stay as a period of inner growth. Cummings for an intellectual poet. We know what blue is because it is not red. It is the beginning of this poem where we begin to find problems, the idea that there are three distinct studies, yet they are all one in the same: the study of life.